Box Like No Other
Rikki Santer
after Bruno Casiano’s painting Television
You’re so last century. In polished wood cabinetry, you appeared in living rooms for
sound + sight in even bigger furniture consoles than radio. Remember Checkers
speech. Remember moon landing. Remember to the moon, Alice, to the moon. All
the kids in my neighborhood whined to be at the feet of our family TV, first color
set on the block. On Saturdays my brother and I pulled drapes tight and dipped
buttery Lorna Doone bites into milk mugs along with tasty hi jinx from The
Flintstones, Space Ghost, and Cool McCool. Praise chewing gum for our eyes. Praise
fizz and pop, tight and fast. Praise remote switching better than sex. McLuhan was
probably right—images wrap around us because we are the screen and vanishing
point for ogle and gape in the politics of gaze. Lure us to crave classier kitchens that
dangle erotic cuisine. Deliver us to the handling in laugh track and sound bite. Take
us live to war zones and mass shootings for soggy thoughts and prayers.
Underthought continues to elude us as Box evolves into mega screen culture.
Swift versions with surround sound and galaxies of pixels now carry us onto the far
reaches of a still needful planet.